On Song Baggage…

Let me start this by letting you in on a secret:

To a casting director, every song is overdone.

Let that sink in.

They hear music constantly, and they hear probably the same 400 songs over and over and over. You’re not reinventing the wheel by bringing in the theme song from “Pokémon” or singing that cut song from The Rink or the Opening of Act 2 of Merrily... They’ve heard it. And if they haven’t heard it then they’re probably more focused on the song then your audition. That being said there’s a major topic that isn’t spoken about enough: Song Baggage.

You know what it means, you know the RENT lyric. You can’t go into a room singing “Meadowlark” without a considerable amount of baggage. There are dozens of songs that this goes for. Basically any song that was made famous by a diva or a dangerously brilliant performance.

Everyone has their favorite version of “I Dreamed A Dream.” And when you bring it into the room every person behind the table is going to be comparing your performance to Patti’s or Laurie Beechman’s or Carmen’s or Lea’s or heaven forbid Ms. Hathaway’s

If you’re smart, or alive, then you know what those songs are. “Memory,” “Bring Him Home,” anything from Wicked, “She Used To Be Mine,” anything from Les Miserables, anything from Phantom, “Out There” from Hunchback (honestly I think this song doesn’t work for ANYTHING, it’s a specific song to that specific moment, and it just rarely works in the room and I just think she’s gotta rest for a bit), “Pretty Funny” from Dogfight, “Waving Through A Window” from Dear Evan Hansen (actually anything from this show),most of the older lady beautiful ballads by Sondheim, all of Chicago, the LIST GOES ON and ON.

This isn’t to say that you should never sing these songs, (WHEN THEY’RE APPROPRIATE) but it does mean that you should be cognizant of the baggage that comes with them, and that sometimes people want their coffee how they want it.

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